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Fela Kuti Fela is a man of contradictions. This is what makes him so intriguing. People who love him forgive the parts of him that aren't perfect. His songs can last longer than 20 minutes and are sung in a dense, almost unintelligible Pidgin English. His music is influenced by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with horns and guitars. He was a musician Fela Kuti embodied that music can be a powerful tool to transform the world. His music was used to advocate for political, social and economic change. His influence is evident to this day. Afrobeat is a style of music that combines African and Western influences. Its origins lie in West-African hip-life music and funk however, it has evolved into its own genre. His political activism was fierce and he did it without fear. He used his music to speak out against corruption in government and human rights violations. Songs like “Zombie”, “Coffin for the State Head” and others were blatant criticisms of Nigeria's dictatorship. He also made use of Kalakuta as a platform to gather like-minded people and to encourage political activism. The play includes a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does an excellent job of conveying her importance in Fela's life. The play also explores on her political involvement. Despite her condition deteriorating, she refused to be tested for AIDS. Instead, she chose traditional treatment. He was a singer Fela Ransome-Kuti was a multifaceted man who used his music as a tool for political change. He is renowned for his creation of Afrobeat, which is a blend of funk and dirty African rhythms. He was also a fervent critic of Nigeria's political and religious leaders. Being raised by an anti-colonial suffragist mom It's no surprise that Fela had a passion for social commentary and politics. His parents wanted him to be a physician but he had different plans. While he initially sounded in a more political highlife fashion, a trip in America would change his outlook forever. His music was profoundly affected by his exposure to Black Power movements and the leadership such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism ideology, which would guide and inform his later work. He was a writer While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. This led him to form an activist group known as the Movement of the People and create songs that reflected the ideas he had about political activism and black awareness. His philosophy was expressed publicly through yabis – a form public speaking that he called 'freedom expression'. He also started to impose an ethical code on his band. This included refusing to take medication from Western-trained physicians. After his return to Nigeria Fela began building his own club and the Shrine in Ikeja. The police and military officials were constant. The Mosholashi-Idi Oro hangers-on who he had re the area surrounding the club with hard drugs, particularly “bana” and “yamuna” (heroin). Fela kept his integrity in spite of this. His music speaks to his determination to challenge authority and demanding that the popular goals are manifested in official goals. It is an amazing legacy that will endure for generations to be. He was a poet Fela's music used sarcasm and humor to draw attention to economic and political issues in Nigeria. He also mocked his audience, the government, and himself. He referred to himself during these shows as “the big dick in the small pond.” The authorities took his jokes lightly and he was repeatedly arrested and imprisoned. He was also beating by the authorities. He eventually renamed himself Anikulapo which translates to “he is carrying death in his pouch.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to zombies who followed orders without question. The military was offended by this and raided Kalakuta Republic. They burned it down and beat its residents. During the raid, Fela’s mother was thrown from her second-floor apartment by the window. In the decades following the independence of Nigeria, Fela created Afrobeat, a genre of music that combines jazz and traditional African rhythm. His songs criticized European cultural imperialism, and he favored traditional African traditions and religions. He also criticized fellow Africans who sabotaged their nation's traditions. He emphasized the importance of freedom and human rights. He was a rapper A saxophonist, trumpeter, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz music, rock and roll and traditional African music and chants, which helped shape his unique style of music. After a trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas affected his work dramatically. When he returned to Nigeria, Fela began using his music as a political tool. He criticized the government of his country of birth and argued that African culture should not be submerged by Western sensibilities. He also wrote about social inequities and human rights violations, and was repeatedly arrested for his criticism of the military. Fela was also a fervent advocate of marijuana in Africa and is referred to as “igbo”. He also held “yabis” (public discussions) at the Afrika Shrine, where he would mock government officials and express his views on the freedom of expression as well as the beauty of women's body. Fela also had a group of young women, who performed at his shows and acted as vocal backups for his vocalists. He was a dancer Fela was a master of musical fusion. He combined elements of jazz, beat music, and highlife to create his own unique style. He influenced a generation African musicians and was a vocal critic of colonial rule. Despite being snatched and tortured by the Nigerian military junta and witnessing his mother murdered, Fela refused to leave the country. He died in 1997 from AIDS-related complications. Fela was a well-known political activist who criticized the oppressive Nigerian Government and endorsed the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both the government and colonial forces. He also promoted black-power and criticised Christianity, Islam and other non-African influences for dividing the people of Africa. Shuffering and Smiling is the title track from the album released in 1978. It describes overcrowded public buses full of poor workers, “shuffering and smiling”. Fela was a fierce enemy of religious hypocrisy. Fela's dancers were also an excellent complement to his music. They were vivacious, sensual, and regal. Their contributions were just as important as Fela’s words. He was a political militant Fela Kuti was a militant who used music to challenge unjust authority. He made use of his knowledge of American jazz and funk towards African styles and rhythms, creating music that is ready for battle. The majority of his songs start as slow-burning instrumentals. He layers little melodies, riffs, long-lined melodies and other elements until they explode with urgency. Unlike many artists, who were afraid to publicly discuss their political views, Fela was fearless and unbending. He stood up for what he believed in even when it was risky. His mother, Funmilayo Runsome-Kuti was a prominent feminist who was the leader of the Nigerian Women's movement. His father was both a protestant minister, and the teacher's union president. He also created Kalakuta Republic, a commune and recording studio that was an emblem of resistance. The government raided the commune, destroying the property and injured Fela badly. He refused to give up however, and continued to voice his opinion against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to carry on his music and political legacy. He was a father Music is often seen by many as a political action. The lyrics of musicians are used to demand change. Some of the most powerful music demonstrations are not accompanied by words. fela lawyer was one such artist and his music continues to ring out to this day. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmonies with jazz and hip-hop and was being influenced by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied Marxism and believed that Nigeria should serve its all citizens. Fela's son Seun continues his father's work, with the band Egypt 80 that's touring the world this year. The music of Egypt 80 combines the sound of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released by the end of March. Many fans paid their respects at the funeral held in Tafawa Balewa square. The crowd was so large that police had to block the entrance.